Let the Red Death take those on the outside. And so many died that all believed it was the end of the world.” buried my five children with my own hands. And as soon as those ditches were filled, more were dug.

Living at the time of the Black Death, one Italian chronicler wrote, “They died by the hundreds, both day and night, and all were thrown in. The tale’s Red Death sounds like the Black Death of 1349 where a family member could be perfectly healthy in the morning, start feeling sick at noon, spit blood and be in excruciating pain in the evening and be dead by midnight. Here are my reflections on several themes: I’ve always sensed a strong connection to Poe’s The Masque of the Red Death, perhaps because I've both played and listen to loads of medieval music, perhaps because I enjoy the art and history and philosophy of that period, or, perhaps because I’ve always been drawn to literature dealing with issues of life and death. Early poetic verses found written in a young Poe’s handwriting on the backs of Allan’s ledger sheets reveal how little interest Poe had in the tobacco business. Allan would rear Poe to be a businessman and a Virginia gentleman, but Poe had dreams of being a writer in emulation of his childhood hero the British poet Lord Byron.

Within three years of Poe’s birth both of his parents had died, and he was taken in by the wealthy tobacco merchant John Allan and his wife Frances Valentine Allan in Richmond, Virginia while Poe’s siblings went to live with other families. His other brother William Henry Leonard Poe would also become a poet before his early death, and Poe’s sister Rosalie Poe would grow up to teach penmanship at a Richmond girls’ school. The real Poe was born to traveling actors in Boston on January 19, 1809. But much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name. He is seen as a morbid, mysterious figure lurking in the shadows of moonlit cemeteries or crumbling castles.

Just as the bizarre characters in Poe’s stories have captured the public imagination so too has Poe himself. Poe’s reputation today rests primarily on his tales of terror as well as on his haunting lyric poetry. He is widely acknowledged as the inventor of the modern detective story and an innovator in the science fiction genre, but he made his living as America’s first great literary critic and theoretician. This versatile writer’s oeuvre includes short stories, poetry, a novel, a textbook, a book of scientific theory, and hundreds of essays and book reviews. His works have been in print since 1827 and include such literary classics as The Tell-Tale Heart, The Raven, and The Fall of the House of Usher. The name Poe brings to mind images of murderers and madmen, premature burials, and mysterious women who return from the dead.

The masque of the red death read online